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Journal Artwork: Tips on Creating and Revising

Color vs Black and White Art

It costs approximately $1250–1500 to print one figure in color; additional figures cost more. This printing will be done at the author's, not GSA's, expense. If color figures are used in an article, the corresponding author must sign a Letter of Agreement to cover the cost of the four-color printing process. Production cannot begin on the article until this Letter of Agreement is signed and received by GSA. Please do not submit color figures if you intend to print them in black and white. Not only does color artwork reproduce poorly in black and white, but production on your article may be delayed while we wait for written confirmation from you that you do not intend to publish the artwork in color.

Shading

Shading (grayscale) does not reproduce well in the printing process. Grayscale often reproduces unevenly; the gray shading in your figure may look blotchy or washed out. Black and white are the best colors for artwork. Solid black and solid white should be your first choices for bars in graphs.

Should you need to represent more than two categories, use varied patterns (horizontal and vertical stripes, diagonal stripes, polka dots) in place of grayscale. Be sure your patterns do not look too similar; it is often best to choose a bold pattern that includes a good amount of white between lines so readers can readily identify in which direction the lines run. (A striped pattern is confusing if the lines are so close together that it is impossible to tell if it they run diagonally to the left or to the right.)

3-D Images

Showing a bar graph in 3-D may be useful if the entire image is in color. However, in our black and white journals, a 3-D shadow merely distorts the shape of the bar and detracts from the overall image. It is best to use a flat, two-dimensional image for your charts and graphs.

Figure Legends and Titles

Figure legends (captions) and titles should appear on a separate sheet of paper, as this information is considered text (not artwork). Include a separate page that contains each figure number and legend in numerical order. Once you have moved the figure number and legend to a separate page, please label each figure lightly in pencil on the back. Include the figure number, the name of the first author, and the manuscript number.

Printing Out Your Artwork

Print your artwork on a high-quality laser printer for crisp, professional-looking images. The printer will scan your images directly from the hard copies you provide, so be sure there are no smudges or stray splotches of toner, and that your ink is not faded. Always do a quick check of your figure once you print it out to be sure all special characters (such as Greek letters or mathematical symbols) display correctly, that all text is visible, and that nothing is misspelled.

Printing PowerPoint Files: Printer Driver Problems

Sometimes PowerPoint files print poorly: a font that looks perfectly normal on the screen might print out scrunched together, or white text that was legible on a dark background on the screen might not show up on the printout at all. Usually this is a printer driver issue. If your default printer ends with "PS" or "5si", try switching to a "PCL 6" or "PCL 5e" and reprinting your figures. Check the new printouts; your problem will likely be resolved. But look carefully—a new problem (such as a previously invisible line around a textbox) might have developed.

Common Artwork Revisions

  • If your figure has two or more panels, label each panel with capital letters: A, B, C, etc. Use a sans serif font (either Arial or Helvetica) for your panel indicator letters, and set the letters in boldface. Do not underline or italicize the letters, and do not surround them with parentheses or follow them with a period.
  • Check that all of the text and numbers in your figure are the same font and size.
  • Capitalize the first letter of all words of four or more letters in both your x and y axes.
  • Italicize all Ns or ns (representing sample size), ps (representing statistical significance), and rs (representing correlation coefficient).
  • Put one space on each side of mathematical operators (such as +, -, =, >, <, ±). For instance, write your data as p < .01, or N = 54, or 5 ± 6.
  • Put an en dash (–), not a hyphen (-), in year and age ranges (for example, 65–70, not 65-70). To find the en dash in Microsoft Word, go to Insert, Symbol, Special Characters. The en dash is the second option.
  • Spell out all acronyms or abbreviations in the corresponding figure legend. If the same acronym or abbreviation appears in more than one figure, you must spell it out separately in each figure legend.

Sending Your Artwork to the GSA Office

Return your revised artwork to the GSA office along with your comments and corrections to your copyedited manuscript. We will check your revised art against the copyedited figures to ensure all changes were made properly. If not all changes were made, or if we detect further problems that might have been missed by the copyeditor, we will contact you by e-mail or telephone. Because time is of the essence, we will ask you to revise the artwork again and e-mail us the corrected figures. We will print out the revised art on a high quality laser printer here in the office.

If you have any doubts at all about how to make the artwork revisions requested by the copyeditor, please call the GSA office at (202) 842-1275 and ask to speak with Candise Heinlein. It is quicker and less troublesome to answer your questions before the artwork is revised than to contact you for a second round of revisions at a later date.

Electronic Copy of Artwork

It is helpful if you send a disk with electronic copies of your revised artwork along with the hard copies.

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